AVANT QUE J’OUBLIE
BEFORE I FORGET

 


DIRECTOR
Jacques Nolot

SCREENPLAY
Jacques Nolot

CAST
Pierre Pruez: Jacques Nolot
Paul: Marc Rioufol
Marc: Bastien d'Asnières
Bruno: Bruno Moneglia
Dr. Manosky: David Kessler

Running time: 108’
Production: France, 2007
Rating: Not rated
(sexual content, nudity, language and thematic elements)
Gauge: 35mm, DVD (color)

GENRE
Drama

DISTRIBUTOR
Strand Releasing

 




“Third installment in scripter-helmer-star Jacques Nolot's trilogy on the pragmatic side of gay life finds the straight-shooting poet of matter-of-fact sexual transactions in fine narrative form, exhibiting his aging body and mindset without a trace of vanity. (...) Proceedings would be risible and sordid in less-refined hands, but Nolot has a knack, often via nicely handled incongruity, for finding the human comedy in awkward situations. His technique for getting out of a traffic citation is almost certainly a cinematic first. Lensing's distinctive Parisian feel boasts stark, chilly lighting, to accompany the frosty indignities of solitude.”
Lisa Nesselson, Variety.

58-year-old Pierre, a prisoner of his past, has a difficult time with loneliness. Pierre shuts himself into his apartment. Sitting on the world's worst-looking leather couch he waits for inspiration, but can't manage to write his next book. He resorts to prostitutes for sex and discusses at length the price of their services with his friends. Pierre reminisces about his youth, beauty and time as a gigolo. "I've stopped doing things,” he says, "I sublimate." Pierre is HIV positive and has been taking medication for years. He is weary but unbowed and begins a new therapy. Little by little, he pulls himself together with wit and irony and finds renewed inspiration with his psychiatrist's help. Accompanied by a gigolo, Pierre will at last live out a fantasy. Nolot has directed an intimate, authentic and profound film. He succeeds in reuniting crudity and elegance, humor and despair, as well as form and substance, in a most inclusive and paradoxical way. In this film, he retains his status as a wistful and wise commentator on the urgency of human communication and interaction, and gives an unflinching rumination on homosexuality, age and desire.

 
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